The New Weston Wing

This post
celebrates the new Weston Wing
of Japanese art
primarily
for how its wide aisles
better accomodates
the stools carried in
by educational groups.

My unpublishable review
for New City
deplored its anticeptic aesthetic
and the de-sanctification
of the Ando Gallery
by removing its heavy glass doors.

This "Guest Blogger" post
also informs us that the
Ando's lighting was also changed.

But since the gallery has no lighting
(except within the cases)
I asked just what those changes
might have been.

And apparently this question
remains too difficult to answer.