Two Luminist painters
I was on my mission to complete the tour of 19th C. American sculpture at the A.I.C.-- but I couldn't help noticing some of the paintings in the gallery that day -- and -- well -- maybe -- these appealed to me more.
John Kensett (1816-1872) Almy Pond, Newport , 1857
I don't remember any of this genre from Cincinnati -- but I do remember being stopped by Kensett at the Met -- and stopping viewers at the Met is the most that any painter can aspire for. There's the glowing -- there's the minimalism --there's, let's face it -- Puritan art -- a bit more geometric and a bit less sensual than its Dutch counterparts. And lack of sensuality provokes sensuality -- at least in me.
Sanford Robinson Gifford (1823-1880) Morning in the Hudson, Haverstraw Bay, 1866
I don't remember ever seeing Gifford before -- but I like him just as much - maybe more -- because the severe geometry begins to feel mystical: i.e. that big boat in the middle of all those triangles should be boring, but it's not. It turns out that late in their careers, Kensett and Gifford traveled together to view the wild west. Ahh --those were the days. I wonder if they ever made it into an episode of "Maverick" or "Gunsmoke". In Cincinnati, I grew up with the French landscape painters of that day (Daubigny, Rousseau, Corot etc)-- but now I guess I like their American peers as much if not more. These painters are the worthy compatriots of Hawthorne and Melville.
(Note: these two paintings are on loan from the Terra Foundation -- and a sad reminder of what the Terra Museum was -- and could have been if it's board of directors had not pulled the plug.)
John Kensett (1816-1872) Almy Pond, Newport , 1857I don't remember any of this genre from Cincinnati -- but I do remember being stopped by Kensett at the Met -- and stopping viewers at the Met is the most that any painter can aspire for. There's the glowing -- there's the minimalism --there's, let's face it -- Puritan art -- a bit more geometric and a bit less sensual than its Dutch counterparts. And lack of sensuality provokes sensuality -- at least in me.
Sanford Robinson Gifford (1823-1880) Morning in the Hudson, Haverstraw Bay, 1866 I don't remember ever seeing Gifford before -- but I like him just as much - maybe more -- because the severe geometry begins to feel mystical: i.e. that big boat in the middle of all those triangles should be boring, but it's not. It turns out that late in their careers, Kensett and Gifford traveled together to view the wild west. Ahh --those were the days. I wonder if they ever made it into an episode of "Maverick" or "Gunsmoke". In Cincinnati, I grew up with the French landscape painters of that day (Daubigny, Rousseau, Corot etc)-- but now I guess I like their American peers as much if not more. These painters are the worthy compatriots of Hawthorne and Melville.
(Note: these two paintings are on loan from the Terra Foundation -- and a sad reminder of what the Terra Museum was -- and could have been if it's board of directors had not pulled the plug.)
posted by chris miller at 10:40 AM
1 Comments:
Hi Chris Miller, I've never "blogged" before so this is a first. I found your site because I was looking up information about a relative who was a member of the 1916 Art Institute - Herbert Rudeen. He is my great uncle. Do you have information about the Art Institute other than what is on the web? Thank you, Robert Hilliard
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